Wes Anderson's "Asteroid City" debuted at Cannes with his distinct style evident but missing one element. The usual cast, themes and camera techniques were present, according to a NY Times article.

Title: Wes Anderson's 'Asteroid City': A Departure from the Wessy Norm Wes Anderson is known for his visually stunning films that display his distinct style with quirky characters, vivid hues, and symmetrical compositions. However, his latest film, 'Asteroid City,' seems to deviate from his typical aesthetic. At its Cannes premiere, Anderson's customary cast, themes, and camera movements were all present, but something was noticeably different. The film is set on a futuristic asteroid city and follows the story of a group of travelers as they navigate their precarious existence in this inhospitable environment. Anderson's signature pastels and vintage aesthetics are replaced with bleak and mechanical tones. The whimsical characters are also replaced with hardened and stoic individuals. Anderson's departure from his usual style may cause fans to question if 'Asteroid City' is still "Wessy" enough. However, the film's somber tone and lack of Anderson's signature style demonstrate the director's versatility and willingness to experiment with new ideas. While it may not be the whimsical and colorful world Anderson is known for, 'Asteroid City' is a strong testament to the director's ability to create thought-provoking and visually captivating films in a variety of styles. Fans may be surprised by what Anderson has in store, but one thing is for certain, his talent and creativity remain undeniable. At the film's Cannes premiere, the director's customary cast, themes and even camera moves were all on display — well, except one.